Within the hushed ambiance of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. His posture is effortlessly upright, his limbs muscular beneath a simple tee. On stage, ballet dancers can appear as mighty deities, yet often offstage they are petite. Not so Ball, whose tall stature is part of his demand for heroic roles and pas de deux work. With fine traits and piercing eyes, there's a hint of Robert Pattinson about him.
An Apparent Rise to the Pinnacle
At 31, Ball is experiencing the crest of a career that has advanced smoothly. Raised in Liverpool, he faced minimal teasing for his childhood interest in ballet. Joining the esteemed training institution at 11, he moved directly into the company and was advanced each year, reaching the highest position of lead dancer in 2018. He has relished tackling substantial characters, particularly the psychological turmoil found in Kenneth MacMillan's works.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
His next starring role is as himself, in an "In Conversation" series aiming to offer behind-the-scenes perspectives into a dancer's craft. He will walk the crowd through a role, showing his cognitive process while performance. Yet in more comedic ballets, the test is profound. "A classic ballet is one of the most demanding from a skill perspective," he notes.
The Mental Struggle and Post-Performance Feelings
How does he feel following a performance, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get lost in the character, quite often I do feel embarrassed afterwards. After an intense role I'm always like: Wow, what must people think?"
Offstage, Ball is reflective, polite, and prone to laugh at himself. But a choreographer previously observed on a "sense of suffering in him." Does this exist? "I'm quite energetic in general, but I do have a dark side," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for positive change."
Early Drivers and Artistic Influences
Ball's tenacity stemmed from youthful setbacks. Not excelling in contests at school made him "vengeful!" This became fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he recalls.
An upcoming challenge is creating his own dance works. In his view, "organic movement has value." "Challenging the rules is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from literature, music, and art.
Close-Up Dance and Personal Dynamic
He additionally is interested in staging dance in smaller spaces. "It was just really exciting," he says of a past show. "You’re so close to the audience. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"
Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." They aren’t typically paired on stage at their main theater, which is perhaps healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s biggest cheerleader."
On Social Media and Physical Image
On social media, fans can see videos from his dance films and images that highlight a athletic physique. Does he mind that the engagement can be somewhat objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to viewing Michelangelo’s David—an object that can be seen on various levels.
Ball describes his younger self as "desperate for success." Did it met his hopes? "I am conscious of how reality is a different reality to the aspirations you made as a young person," he reflects. He likely has another ten years of performing left. "I suppose in the future, I want to be a bit more kind with myself."